Kai Residency 2023

Kai Art Center welcomes Ukrainian artist Maria Plotnikova to the Kai Residency. Maria’s residency will take place for one month from mid-August until mid-September.


Maria Plotnikova is a multidisciplinary visual artist who works with performance, installations, video, painting, and drawing. The subjects of Maria’s residency are related to the war in Ukraine. During her residency in Estonia, Maria plans to research the attitude of locals towards the war. She will also be continuing her ongoing project ‘Cuts’, which reflects on the traumatic experience that she herself and other Ukrainians are currently going through. She tries to break down the all-encompassing pain, hoping to open it up for more to be understood.


Maria Plotnikova will introduce her artistic practice and research at the Kai Residency Circle on Thursday, September 7th at 6pm.


For a studio visit or meeting with Maria please get in touch via e-mail:


The residency program for Ukrainian artists was initiated by the Estonian Creative Residencies Network LOORE to provide opportunities for Ukrainian artists, critics, and art professionals to connect with a supportive artistic community across Estonia and to give artists a safe space in which to continue their creative practices.


Kai Residency 2019–2022

Kai Art Center is pleased to announce the Kai Residency, a research-based international residency program which annually provides the opportunity for twelve visual artists, curators and writers to live and work in Tallinn while being immersed in the city’s dynamic art scene. The Kai Residency aims to support innovative practices, develop global networks, and engage the local art community in Estonia.


The first open call for the residency received over 300 applications from more than 60 countries and six continents. Jury members included Kari Conte (Kai Residency Curator and ISCP, New York); Karin Laansoo (Kai Art Center, Tallinn); Ann Mirjam Vaikla (Narva Art Residency, Estonia) and Jenni Nurmenniemi (Fiskars Village Biennale, Finland). Fifteen artists and curators were selected for the inaugural program which will take place from October 2019 to December 2020. Each resident will spend between two and four weeks in Tallinn at Kai Art Centre, where they will participate in the local art context, present their work to the public and conduct research related to both their work and Tallinn. The first cohort of residents includes Anastasia Ax (Sweden), Rugilė Barzdžiukaitė (Lithuania), Udi Edelman (Israel), Felipe de Ávila Franco (Finland/Brazil), Flóra Gadó (Hungary), Saara Hannus (Finland), Felix Kalmenson (Georgia), Fawn Krieger (United States), Maija Kurševa (Latvia), Ceci Moss (United States), Abraham Onoriode Oghobase (Nigeria/Canada), belit sağ (Turkey/Netherlands), Frida Sandström (Sweden), TOK (Russia), and Yan Xing (China/United States).


The curator for the 2019-2022 season of the Kai residency is Kari Conte, Director of Programs and Exhibitions at the International Studio & Curatorial Program (ISCP) in New York. Kari manages the residency, exhibition, and audience programs for ISCP and cooperates with more than 100 artists per year. Recent curated personal exhibitions include solo presentations of Jennifer Tee, Eva Kotátková, and Richard Ibghy & Marilou Lemmens, and the group exhibitions Concrete Truth: Art and the Documentary, The Animal Mirror, and Aqueous Earth. Kari has also curated exhibitions for the Aichi Triennale and Performa Biennial. As an author, she is primarily interested in the tangents between art and politics and the history of exhibitions. Before she joined ISCP, Kari lived in London, where she worked at the Whitechapel Gallery and completed the MA Curating Contemporary Art Program.


Kai residency 2019-2021 season is supported by Nordic Culture Point, Cultural Endowment of Estonia, and the European Regional Development Fund.

2019-2022 Kai Residency participant bios:

Ceci Moss: July 8, 2022 – August 7, 2022

Ceci Moss (lives and works in Los Angeles) is a curator, writer and educator. She is the founding director of Gas, a mobile, autonomous, experimental and networked platform for contemporary art located in a truck gallery and online. Launched in Fall 2017, this non-profit space has thus far shown work by 80 artists, organized seven exhibitions and received widespread local, national and international acclaim. Los Angeles Magazine named Gas “one of LA’s most interesting art galleries.” Moss has MA and PhD in Comparative Literature from New York University, and a BA in History and Sociology from University of California, Berkeley. Her first book Expanded Internet Art: Twenty-First Century Artistic Practice and the Informational Milieu will be released in Fall 2019 through the Bloomsbury series International Texts in Critical Media Aesthetics. She is currently a Visiting Lecturer in Critical Studies at the University of Southern California.


Fawn Krieger: August 1, 2022 – August 31, 2022

Fawn Krieger (lives and works in New York City) examines themes of touch, ownership and exchange in her practice. She has exhibited her work at The Kitchen, Art in General, Nice & Fit Gallery, The Moore Space, Von Lintel Gallery, the Rose Art Museum at Brandeis University, Portland Institute for Contemporary Art, Human Resources, Fleisher Ollman Gallery, Real Art Ways, Soloway Gallery, and Neon>fdv. Her work has been featured in the New York Times, Artforum, Art in America, Sculpture Magazine, NY Arts, Flash Art, and Texte zur Kunst.


November–December 2021: Hilde Methi

Hilde Methi (lives and works in Kirkenes) is an independent curator based in Kirkenes, in Northeastern Norway. She builds up long-term collaborative projects infusing artistic ideas in local contexts. She co-curated LIAF 2019, Lofoten International Art Festival, including The Kelp Congress, in Svolvær and in other villages in the Lofoten archipelago (2018-2019). She conceived Dark Ecology (2014-2016) with Sonic Acts (NL), which over three years commissioned and presented temporary site-responsive installations and performances in the Norwegian-Russian border area and in Amsterdam. Some of the commissioned works were later presented as a spring programme in Salt Oslo in 2018. She co-curated Hábmet Hámi/ Making Form in Sámi Centre for Contemporary, Karasjok, in 2018, presented in Tromsø Kunstforening and Terminal B in 2019. She co-edited The Kelp Congress book published in 2020.


August 2021: Flóra Gadó
Flóra Gadó (lives and works in Budapest) is a curator, researcher and art critic. Since 2018 she works as a curator at the municipal contemporary art center Budapest Gallery and recently obtained her doctoral degree in Film, Media and Cultural Studies at Eötvös Loránd University. Her recent projects include the group exhibition So Far, So Good at Budapest Gallery, Judit Flóra Schuller’s solo exhibition at Julius Koller Society, Bratislava and the group exhibition Ruritania which she co-curates with Piotr Sikora and Lucia Kvocaková for the next edition of Biennale Warsawa in 2022. In the past years she took part in several curatorial residency and research programs, including MeetFactory in Prague, Brno House of Arts in Brno and the East Art Mags program for art critics in Romania and Poland. Between 2016 and 2019 she was the Vice President of the Studio of Young Artists’ Association, Budapest. Currently, she is a lecturer at Budapest Metropolitan University and co-editor of the essay journal Café Babel.


July–August 2021: Viviana Checchia
Viviana Checchia (lives and works in Göteborg) is a curator and researcher. She is currently Senior Lecturer in Fine Art at HDK-Valand. Previous to this role she was Public Engagement Curator at the Centre for Contemporary Arts: Glasgow (CCA). Prior to taking up her role at CCA, Viviana produced and contributed to a range of international projects, including the Young Artist of the Year Award 2014 (YAYA) in Ramallah and the 4th Athens Biennale. For the past ten years, Viviana has co-directed Vessel, a platform for critical discussion surrounding the cultural, social, economic and political change created through community-based work, based in Puglia, Italy. With Anna Santomauro, she received the 2013 ICI/DEDALUS Research Award for research carried out in the United States, and in 2016 she was awarded the Igor Zabel Award for Culture and Theory laureate’s choice for her contributions to the comprehension of and international interest in Eastern European art.


May–June 2021: The Creative Association of Curators TOK (Anna Bitkina and Maria Veits)

TOK (lives and works in Saint Petersburg) is a curatorial collective co-founded in 2010 as a platform for interdisciplinary research-based projects in the field of contemporary art. Throughout their practice, the curators challenge the borders of the territory of art and seek ways of how it can foster social change. Most projects of their projects are site-specific, multilayered and long-term initiatives aimed at generating new knowledge about the causes and consequences of changing social reality. TOK’s projects deal with current issues in Russia and internationally: migration processes, public space, and citizens, development of education, collective memory and amnesia, and the growing role of the media in global society. TOK curates exhibitions, educational events, conferences, summer schools, and issues publications and exhibition catalogues.


March 2020: belit sağ
belit sağ (lives and works in Amsterdam) was born in Turkey and is a videomaker and visual artist. She studied mathematics in Turkey and visual art in the Netherlands. Her background in moving images is rooted in her work within video-activist groups in Ankara and Istanbul, where she co-initiated groups such as VideA, karahaber, and She has completed residencies at the International Studio & Curatorial Program (ISCP) in New York and at Rijksakademie van Beeldende Kunsten in Amsterdam, among others. Her ongoing artistic and moving image practice largely focuses on the role of visual representations of violence in the experience and perception of political conflicts in Turkey, Germany, and the Netherlands.


February/September 2020: Rugilė Barzdžiukaitė
Rugilė Barzdžiukaitė (lives and works in Vilnius) works as an artist, filmmaker and theatre director. In her creative practice, Barzdžiukaitė explores the gap between objective and imagined realities and playfully challenges an anthropocentric way of thinking. Barzdžiukaitė is one of three artists representing Lithuania at 2019 Venice Biennale with the performance-installation Sun & Sea (Marina), which won the Golden Lion for the best national pavilion. Her latest full-length documentary film-essay “Acid Forest” was awarded at the Locarno International Film Festival—among others—and it continues to travel to film festivals around the world.


January 2020: Maija Kurševa

Maija Kurševa (lives and works in Riga) is an artist, publisher and lecturer at the Art Academy of Latvia, Program Director for the Riga Zine Festival, and, last but not least, cofounder of the artist-run Low Gallery in Riga, Latvia. Her work encompasses various media, including printmaking, drawing, sculpture and animation, attending to recurring characters and themes with a sense of humor. Among Kurševa’s latest projects are the solo show Investigation, Kim? Contemporary Art Center, 2018; Checkered Order; Gallery Māksla XO, 2016; Talk To Me, Akureyri Art Museum, Iceland; NNN, Latvian National Museum of Art, 2017; and Bigger Peace, Smaller Peace, Latvian Railway History Museum, 2015. Kurševa was nominated for the Purvītis Prize in 2017 for her work Joviality.


November 2019: Saara Hannus
Saara Hannus (lives and works in Helsinki) is a queer-feminist artist and curator working in the intersections of sexual/romantic relationships and art making. Their practice is influenced and informed by their personal interests and emotions, and they want to highlight the subjective characteristic of curatorial practices, while still actively pursuing the ethical position of a curator and stressing the politics of representation. They are currently working on an exhibition project titled Fantasy 1 & 2 on monogamy. The core questions of Fantasy 1 & 2 evolve around where the limits of monogamy lie, which structures in society and culture are maintained to support it, and can different genders and sexualities, desires and lust exist in monogamy or is it always a white, colonial cis-heterosexual structure?


October 2019: Felipe de Ávila Franco
Felipe de Ávila Franco (lives and works in Helsinki) was born in Brazil and holds an MFA from the Finnish Art Academy. Working internationally since 2012, he investigates materiality and industrial contamination under the lens of biopolitics and ecocriticism through sculpture. Establishing interdisciplinary links between the arts, humanities, and natural sciences, his practice addresses the artistic process as a tool to pursue new knowledge, evoking art as a mechanism to activate a deeper discussion on the human conflict with itself and over the misguided notions of ‘nature’ as something separate from the human. His work is in the collections of the Museum of Brazilian Arts and Kiasma-Museum of Contemporary Art.


ISCP Residency Grant

Every year, ECADC offers one artist a two-month grant for a residency at the ISCP studio in Brooklyn, New York. The residency takes place from October to November. The grant covers travel, accommodation, and living expenses. The ISCP residency program is meant for internationally-active Estonian artists whose artistic activities would benefit from networking with the New York art community.

The following artists have already participated in the ISCP-ECADC residency

2023 Helena Keskküla

2022 Taavi Suisalu

2020/2021 Mia Raadik

2019 Laura Põld
2018 Paul Kuimet
2017 Anu Vahtra
2016 Rael Artel
2015 Marge Monko


The International Studio & Curatorial Program (ISCP) is one of the most recognized non-profit contemporary art institutions, offering residency programs to artists and curators at the start or in the middle of their careers. Over 30 artists and curators can enter the residency at a time. ISCP supports the residents in the development of new projects with the time, place, and everything else they might need. The residency program includes activities aimed at professional development and engagement with the public. Thus, ISCP functions as an international platform that covers various points of view and gives the opportunity to produce, show, and view art in context.


The ISCP audience program supports dialogue by helping its residents better blend into the New York art community. In order to achieve this, residents can use personal 18 m2 studios, which are furnished and accessible 24 hours a day. There are joint visits to museums, galleries and other cultural establishments, ISCP resident studios are regularly visited by program guest critics, and it is possible to participate in the ISCP public lecture program as well. Residents are also welcome to take part in the exhibition program and ISCP participation projects.